SOUNDS EMITTED BY ANIMALS
The song of the peacock:
The peacock, scientific name Pavo cristatus of the family Phasianidae it is a bird that emits a sound known as paululare. Its song is not very pleasant. It is high-pitched and shrill, emitted especially during the mating season to recall females as well as its most famous wheel.
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There are magical encounters in childhood, encounters that a child's sensitivity can transform into destiny. For Claudia Pavone, acclaimed and beloved soprano in Italy and abroad, the convict was a magnificent grand piano with an ivory keyboard, a rare object capable of making a four-year-old girl fall in love with music and beautiful singing.
Born in Stuttgart, Vicenza by adoption with Sicilian ancestry, Claudia Pavone is an artist who represents Italian excellence. Reached in her Vicenza, the soprano told us her story and the difficulties that singers and theaters experience in the era of Covid.
It was a Steinway grand grand, we can say it, the piano that stole her heart when she was a child. "That's right, it was the reason that prompted me to study music and then to enroll in the conservatory. I was 4 years old and I lived with my parents in a splendid eighteenth-century noble palace in Corso San Felice in Vicenza. On the main floor, lived a lady with the housekeeper, one day I went to visit her and I saw this magnificent grand piano with ivory keys, since the 70s the ivory trade had been completely forbidden, so it was a really rare and precious instrument. kidnapped and the lady, who noticed it, said these words to me: 'if you study every day, you can have that piano'. I did not have it repeated twice and every day at 4.30 pm I was there to practice ".
Thus she begins to take piano lessons at the age of six but it is singing that fascinates her, her beautiful voice is already part of a choir of children's voices, the Pueri cantores of Vicenza, where she experiences the discipline and the study method that it will make her become a star of the opera firmament. “When I was 16 I enrolled at the Arrigo Pedrollo Conservatory in Vicenza, although I then graduated from the Agostino Steffani Conservatory in Castelfranco Veneto to follow my teacher who had requested a transfer”. After graduation Claudia Pavone participates in all competitions where she can show her talent, works and studies non-stop. "The study characterized the dynamics of my childhood and adolescence, it was my lighthouse and my motivation and, even though I realized I didn't have the classic company of friends to go out or party with, I felt happy and focused on my goal. . Precisely for this reason I quickly achieved excellent results and I conquered the podium of all the competitions in which I took part ”, he explains.
The second magical encounter of Claudia Pavone is with a great, the maestro Riccardo Muti, who notes her and chooses her for the role of Violetta in The Traviata by Giuseppe Verdi in concert form. The voice guide, in this case, is entrusted to the immense Renata Scotto. A baptism of fire that marks the beginning of a special relationship with the character of Violetta and the beginning of an unprecedented rise. "I am very attached to the role of Violetta, I have undoubtedly always been fascinated by her because she is the greatest protagonist of Italian melodrama: an intelligent woman, with a strong personality and great sensitivity, not the stereotypical courtesan who dies of consumption, and then represents for me also the memory of the lucky meeting with Maestro Muti and Maestro Scotto who taught me a lot. I should have interpreted it again this year at the Teatro dell’Opera in Rome, in the Sofia Coppola version and with Valentino's costumes, unfortunately the pandemic has caused many dates to be canceled ".
Much has been said and written about how Covid has dealt a severe blow to the world of culture and, in particular, to theaters and live music events. Even Claudia Pavone, back from many successful seasons in Italy and around the world between Russia, China, Japan and Australia, had to stop and reflect not only on the consequences of this situation but also on the shortcomings of her sector.
"It is now more necessary than ever to reflect on the social role of culture and theater - underlines the artist - to open up to new technologies that make it possible to enjoy on a large scale the power and magic of opera, which is not a" thing for old people ”because it deals with universal themes that are close to all of us. It is a national heritage loved all over the world and should be valued and promoted in every way, even pending a reopening of the theaters and auditoriums. " And he adds: “Certainly this moment of emptiness due to Covid has tried me psychologically especially if I think that in a year I was at home for a month. This now seems like a suspended time but not completely lost because it is giving me the opportunity to think about new projects and focus on new goals. For the last few years I have lived with a suitcase in hand. The theaters were my home, my refuge, the place where I daydreamed, where I lived my magic. They will certainly begin to be so again because this is the life I have chosen, mine, it is a profession that, first of all, is a great passion, made up of many sacrifices and a lot of work, but I couldn't think of living doing anything else ".
This extraordinary artist is an example of how art can always be a great source of consolation and renewal even in a difficult time like this. Claudia Pavone continues to study and prepare for the next shows that will not be long in coming, she continues to heal and pamper her voice because the voice is everything, to the point that she talks about it as if it were an identity in itself. “When I wake up in the morning it's the first thing I check. I hear it, I check if it is okay, my voice comes first. I treat her as if she were a person, I tell myself today the voice is fine, I turn to her as a part of me that has its own autonomy. My voice is my soul ”. And the artist from Vicenza is a demanding soul who requires attention, extreme care and devotion, also because the medium-long term goals are very ambitious. “In 15 years I dream of Leonora's debut The force of Destiny by Verdi. I like dramatic soprano roles and another big dream would be to play too Norm by Bellini ".
She continues, therefore, the study and sentimental education that began when she was just a child, with the determination and passion that allowed her to reach the top and that will bring her back to theaters all over the world.
The whale was an animal with a powerful symbolic apparatus both for the American Indians and for the Celts. With their cultures imbued with totemism, these populations attributed to the animals a character of sacredness which allowed contact with the supernatural sphere. With their well-defined traits and behaviors, animals were objects of divinization and were used allegorically to express precise qualities and meanings. As totem spirits, their function was to protect the members of the tribe or clan who worshiped them. The whale was one of them. Queen of the waters, majestic and harmless, she boasted a strong symbolism among these civilizations, which reflected the profound meaning reserved for the totem. In this guide we will take a step back in time in search of legends and myths about this huge marine mammal.
The respect and veneration of Native Americans and Celtic peoples for the whale is closely connected to the aura of antiquity attributed to that animal. According to legend, the whales would have witnessed the disappearance in the Pacific Ocean of the great continent Mu, considered as the Mother Earth. The cetacean would therefore be depositary of the memory of the planet, from the days of its formation and the appearance of the first living beings. For many tribes it is a birth symbol and creation, of the beginning of all things.
For the Nordic populations, the whale was a precious ally in the fight for survival. Source meat and oils for food, skins to cover oneself from the cold and bones for the construction of tools, its importance was decisive. Not surprisingly, in their religious conception the whale was placed under the protection of Sedna, the goddess of the sea. For this reason the hunting to cetaceans it was not an indiscriminate practice, but a real one sacred ritual to which only a select few could dedicate themselves. The whale thus became a powerful totemic symbol and the tribal leaders carved its shape on sacred objects used in shamanic rites.
Another belief concerns the sounds emitted by the whale, which had the same force of attraction as the mythological song of the serene. The belief has it that with his songs he entered into communication with men and told them the stories of ancient creatures and events, handed down from generation to generation.
A wide network of symbolic meanings extends around the whale, deriving from two fundamental aspects of this cetacean. We are talking about the function held for the ancient Nordic populations and its intrinsic characteristics as an animal of the abyss. Let's analyze both points to have a greater understanding of the importance of the totem pole.
The element of water, in which the whale spends its existence, is traditionally linked to emotional sphere. If consciousness is a concept steeped in the idea of the visible, of something that is on the surface, the subconscious is instead associated with the depth of the ego. The parallelism between the ocean depths and the realm of emotions and fears is evident. Everything that is not yet known about one's person is in fact placed in the innermost and darkest layers of the psyche.
In the light of this interpretation, the whale totem acquires a special meaning for those who have a strong sensitivity not only towards his own feelings but also towards the people and the realities that surround him. The whale totem conveys calm and tranquility to the mind and stimulates the reflection and sleep. The meanings related to it therefore concern awareness of oneself and the world, psychological balance, appreciation for beauty, the rebirth of emotions and devotion to one's land.
In the adverse climatic conditions of the northern lands, the whale, as previously mentioned, provided man with what he needed. Hence its function of guide protector in difficult situations. This is a role that was based on its most important quality, namely the charity. Just as this cetacean sacrificed itself for the good of humans, humans themselves could be inspired by its generosity in relationships with others.
In addition to mere physical support in the form of food, the whale also offered a second type of help. It is about his voice and its effects on the human ear. By virtue of the legends and positive qualities attributed to this mammal, it is not surprising that for Celts and American Indians its sound frequency was interpreted as a melody that leads along the true path of life. Those who relied on the whale totem were people with fine hearing, constantly looking for signals that would decipher the mysteries of the universe and reveal the origin of man. For the shamans the sounds emitted by the whales were a kind of telepathic language. Thanks to this form of communication, they could discover the secrets of medicine and heal diseases. The whale thus became a symbol of profound wisdom and wisdom.
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In the alchemical works it is very easy to come across the use of animals such as from the Peacock, from the Pelican to Il nero del Corvo è il nero delle shadow è. Piebald Peacock (or Harlequin Peacock The animal, however, tenaciously defends this territory by easily attacking people and thus revealing itself.
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It was the nightingale, not the lark, that hit the hollow of your fearful ear. From above it launches a cascade of sounds similar to a musical crescendo.
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It is known that St. Francis spoke to the birds of the beauty of creation. Add the video to your site with the embed code above. You who were never a bird, and of the skylark of Heaven, or neighbor, overturn the fullness of your heart in generous melodies of a non-premeditated art.